{"id":166384,"date":"2025-12-10T22:10:40","date_gmt":"2025-12-10T22:10:40","guid":{"rendered":"https:\/\/www.lilycoxrichard.com\/staging\/2569\/?page_id=166384"},"modified":"2025-12-17T20:47:26","modified_gmt":"2025-12-17T20:47:26","slug":"words","status":"publish","type":"page","link":"https:\/\/www.lilycoxrichard.com\/staging\/2569\/words\/","title":{"rendered":"Words"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;122160&#8243;][vc_column width=&#8221;1\/1&#8243;][vc_custom_heading heading_semantic=&#8221;h1&#8243; text_size=&#8221;h1&#8243; uncode_shortcode_id=&#8221;177498&#8243;]<span class=\"font-394499\">Texts<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;720954&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; uncode_shortcode_id=&#8221;125275&#8243;][vc_accordion no_toggle=&#8221;yes&#8221; typography=&#8221;advanced&#8221; content_border=&#8221;yes&#8221; gutter_simple=&#8221;1&#8243; heading_semantic=&#8221;h2&#8243; uncode_shortcode_id=&#8221;639277&#8243; active_tab=&#8221;1&#8243;][vc_accordion_tab gutter_size=&#8221;2&#8243; column_padding=&#8221;2&#8243; title=&#8221;Catalogs&#8221; tab_id=&#8221;1765771126569-3-2&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;111136&#8243;]Lily Cox-Richards, <a href=\"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-content\/uploads\/2025\/12\/LilyCoxRichard_WeepHoles_Book_Spreads.pdf\" target=\"_blank\" rel=\"noopener\">Weep Holes<\/a>, Mass MoCA, 2022[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;120612&#8243;]Lily Cox-Richard, <a href=\"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-content\/uploads\/2023\/04\/2022_Soft_Fists_Insists_publication.pdf\" target=\"_blank\" rel=\"noopener\">Soft Fists Insist,<\/a> Hirschl &amp; Adler, 2022[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;736330&#8243;]Lily Cox-Richard, <a href=\"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-content\/uploads\/2023\/04\/2020_Walking-With-Catalog.pdf\" target=\"_blank\" rel=\"noopener\">walking with: Library of Radical Return<\/a>, Visual Arts Center, 2019[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab gutter_size=&#8221;2&#8243; column_padding=&#8221;2&#8243; title=&#8221;Interviews&#8221; tab_id=&#8221;1765771078-2-76&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;159868&#8243;]Molly Springfield, <a href=\"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-content\/uploads\/2025\/12\/LCRR2011_MollySpringfield_StudioVisit-Press.pdf\" target=\"_blank\" rel=\"noopener\">&#8220;Lily Cox-Richard,&#8221;<\/a> The Studio Visit, 2011[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;105090&#8243;]Susan Richmond, <a href=\"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-content\/uploads\/2023\/04\/2021_FeministStudiesInterview.pdf\" target=\"_blank\" rel=\"noopener\">&#8220;Fieldwork: Lily Cox-Richard in Conversation with Susan Richmond,&#8221;<\/a> Feminist Studies, 2021[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;170651&#8243;]Patrick Kelly, <a href=\"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-content\/uploads\/2018\/09\/OJAC_LCR.pdf\" target=\"_blank\" rel=\"noopener\">&#8220;Lily Cox-Richard Sculptures the Size of Hailstones,&#8221;<\/a> Old Jail Art Center, 2018[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;229524&#8243;]Alex Potts, <a href=\"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-content\/uploads\/2016\/12\/NCAW_CoxRichard_Potts.pdf\" target=\"_blank\" rel=\"noopener\">&#8220;Alex Potts in Conversation with Lily Cox-Richard: The Stand (Possessing Powers),&#8221;<\/a> Nineteenth-Century Art Worldwide, 2016[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;211022&#8243;]Kristina Olson, <a href=\"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-content\/uploads\/2015\/11\/LCR-ArtPulse-2015-web.pdf\" target=\"_blank\" rel=\"noopener\">&#8220;Rapt Attention: A Conversation with Lily Cox-Richard,&#8221;<\/a> ARTPULSE Magazine, 2015[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab gutter_size=&#8221;2&#8243; column_padding=&#8221;2&#8243; title=&#8221;Reviews&#8221; tab_id=&#8221;1765771078-1-96&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;510984&#8243;]Maya Pontone, <a href=\"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-content\/uploads\/2025\/12\/LCRR2024_The-Artists-Sifting-Through-Your-Citys-Garbage_Hyperallergic.pdf\" target=\"_blank\" rel=\"noopener\">&#8220;The Artists Sifting Through Your City\u2019s Garbage,&#8221;<\/a> Hyperallergic, 2024[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;110124&#8243;]Ryan Waddoups, <a href=\"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-content\/uploads\/2025\/12\/LCRR2024_8-Standout-Design-Moments-from-Miami-Art-Week.pdf\" target=\"_blank\" rel=\"noopener\">&#8220;8 Standout Design Moments from Miami Art Week,&#8221;<\/a> Galerie Magazine, 2024[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;185436&#8243;]Travis Diehl, Yinka Elujoba, John Vincler, <a href=\"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-content\/uploads\/2025\/12\/LCRR2024_What-to-See-in-N.Y.C.-Galleries-in-May-The-New-York-Times.pdf\" target=\"_blank\" rel=\"noopener\">&#8220;What to See in N.Y.C. Galleries in May,&#8221;<\/a> The New York Times, 2024[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;593261&#8243;]Sean J Patrick Carney, <a href=\"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-content\/uploads\/2025\/12\/LCRR2019_BlantonARTnews.pdf\" target=\"_blank\" rel=\"noopener\">&#8220;Lily Cox-Richard&#8217;s Kaleidoscope View on the Classical Canon,&#8221;<\/a> Art in America. 2019[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;597022&#8243;]Andy Campbell, &#8220;<a href=\"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-content\/uploads\/2025\/12\/LCRR2019_AndyCampbell_Artforum.pdf\" target=\"_blank\" rel=\"noopener\">Austin: Lily Cox-Richard, Blanton Museum of Art,&#8221;<\/a> Artforum, 2019[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;257655&#8243;]Lydia Pyne, <a href=\"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-content\/uploads\/2025\/12\/LCRR2019_BlantonPress_Subverting-the-Whiteness-of-Antiquity.pdf\" target=\"_blank\" rel=\"noopener\">&#8220;Subverting the Whiteness of Antiquity,&#8221;<\/a> Hyperallergic, 2019[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;379492&#8243;]Artnet News, <a href=\"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-content\/uploads\/2025\/12\/LCRR2019_WhichEmergingArtistDominated2019ArtnetNews.pdf\" target=\"_blank\" rel=\"noopener\">&#8220;Which Emerging Artist Dominated 2019?,&#8221;<\/a> Artnet News, 2019[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;178940&#8243;]Candace Baker, <a href=\"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-content\/uploads\/2025\/12\/LCRR2019_Blanton_CandaceBaker.pdf\" target=\"_blank\" rel=\"noopener\">&#8220;Examining Whiteness in the Blanton&#8217;s Latest Exhibit,&#8221;<\/a> Austin Monthly, 2019[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;408982&#8243;]Erin Keever, <a href=\"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-content\/uploads\/2025\/12\/LCRR2019_Blanton_Sightlines.pdf\" target=\"_blank\" rel=\"noopener\">&#8220;Lily Cox-Richard: Re-casting the Blanton&#8217;s Battle Casts,&#8221;<\/a> Sight Lines Magazine, 2019[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;666914&#8243;]Molly Grenzer, <a href=\"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-content\/uploads\/2025\/12\/LCRR2018_Glentzer_HoustonChronicle.pdf\" target=\"_blank\" rel=\"noopener\">&#8220;Lily Cox-Richard brings sculptures viewers to their knees,&#8221;<\/a> Houston Chronicle, 2018[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;193126&#8243;]Laura August,<a href=\"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-content\/uploads\/2025\/12\/LCRR2018_FromtheGroundUp_ArtsCultureTexas.pdf\" target=\"_blank\" rel=\"noopener\"> &#8220;From the Ground Up&#8221; Lily Cox-Richard at Diverseworks,&#8221;<\/a> Arts &amp; Culture Texas, 2018[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;559634&#8243;]Laura A.L. Wellen, <a href=\"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-content\/uploads\/2025\/12\/LCRR2016_SHOW-UP_ArtsCultureTexas_Artpace.pdf\" target=\"_blank\" rel=\"noopener\">&#8220;SHOW UP: Lily Cox-Richard at Diverseworks,&#8221;<\/a> Arts &amp; Culture Texas, 2017[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;928681&#8243;]<a href=\"https:\/\/www.lilycoxrichard.com\/wp-content\/uploads\/2015\/11\/LCR-ArtJournal-W2013.pdf\" target=\"_blank\" rel=\"noopener\">\u201cLily Cox-Richard: On the Powers of Taking a Stand\u201d <\/a>by\u00a0Nicholas Hartigan and Joan Kee in <em>Art Journal, 2013<\/em>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab gutter_size=&#8221;2&#8243; column_padding=&#8221;2&#8243; title=&#8221;Essays&#8221; tab_id=&#8221;1765771110672-2-6&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;808629&#8243;]Denise Markonish, <a href=\"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-content\/uploads\/2023\/04\/2016_DeniseMarkonish_on_Salv.pdf\" target=\"_blank\" rel=\"noopener\">&#8220;And the Load Doesn&#8217;t Weigh Me Down at All,&#8221;<\/a> Artpace at 25: 25th Anniversary Publication, Artpace, 2020[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;147249&#8243;]Denise Markonish, <a href=\"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-content\/uploads\/2023\/04\/2022_Weaving_and_Unweaving_Markonish.pdf\" target=\"_blank\" rel=\"noopener\"><em>Weaving and Unweaving the World: Lily Cox-Richard\u2019s Weep Holes<\/em><\/a>[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;122160&#8243;][vc_column width=&#8221;1\/1&#8243;][vc_custom_heading heading_semantic=&#8221;h1&#8243; text_size=&#8221;h1&#8243; uncode_shortcode_id=&#8221;177498&#8243;]Texts[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","footnotes":""},"class_list":["post-166384","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-json\/wp\/v2\/pages\/166384","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-json\/wp\/v2\/comments?post=166384"}],"version-history":[{"count":39,"href":"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-json\/wp\/v2\/pages\/166384\/revisions"}],"predecessor-version":[{"id":167258,"href":"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-json\/wp\/v2\/pages\/166384\/revisions\/167258"}],"wp:attachment":[{"href":"https:\/\/www.lilycoxrichard.com\/staging\/2569\/wp-json\/wp\/v2\/media?parent=166384"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}