{"id":166379,"date":"2025-12-10T22:07:11","date_gmt":"2025-12-10T22:07:11","guid":{"rendered":"https:\/\/www.lilycoxrichard.com\/staging\/2569\/?page_id=166379"},"modified":"2025-12-17T03:14:59","modified_gmt":"2025-12-17T03:14:59","slug":"cv-2","status":"publish","type":"page","link":"https:\/\/www.lilycoxrichard.com\/staging\/2569\/cv-2\/","title":{"rendered":"CV"},"content":{"rendered":"

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”2″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”211729″][vc_column width=”1\/1″][vc_custom_heading heading_semantic=”h1″ text_size=”h1″ uncode_shortcode_id=”231041″]CV<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”2″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”161354″][vc_column width=”1\/1″][vc_button button_color=”color-nhtu” size=”btn-lg” outline=”yes” custom_typo=”yes” font_family=”font-555555″ font_weight=”600″ border_width=”0″ link=”url:https%3A%2F%2Fwww.lilycoxrichard.com%2Fstaging%2F2569%2Fwp-content%2Fuploads%2F2025%2F12%2F2025LCR_CV.pdf|title:Download%20CV%2C%20pdf|target:_blank” icon=”fa fa-file-o” uncode_shortcode_id=”121906″ button_color_type=”uncode-palette”]View \/ Download CV (pdf)[\/vc_button][vc_custom_heading heading_semantic=”h4″ text_size=”h4″ uncode_shortcode_id=”127518″]Education[\/vc_custom_heading][vc_column_text text_color=”color-jevc” uncode_shortcode_id=”151813″ text_color_type=”uncode-palette”]<\/p>\n

MFA, Sculpture + Extended Media, Virginia Commonwealth University, Richmond, VA<\/span><\/p>\n

BFA with High Distinction, Jewelry\/Metal Arts, California College of the Arts, San Francisco, CA<\/span><\/p><\/blockquote>\n

[\/vc_column_text][vc_custom_heading heading_semantic=”h4″ text_size=”h4″ uncode_shortcode_id=”182348″]Solo Exhibitions[\/vc_custom_heading][vc_column_text text_color=”color-jevc” uncode_shortcode_id=”948756″ text_color_type=”uncode-palette”]<\/p>\n

2025, Disquiet in the Sand, Institute for Contemporary Art, Richmond, VA<\/p>\n

2022, Soft Fists Insist,\u00a0Hirschl & Adler Modern, New York, NY<\/p>\n

2021-23, Weep Holes,\u00a0<\/em>MASS MoCA, North Adams, MA<\/p>\n

2019, She-Wolf + Lower Figs.<\/em>, Blanton Museum of Art, Austin, TX<\/p>\n

2018, Berm<\/em>, Diverseworks, Houston, TX<\/p>\n

2018, Sculptures the Size of Hailstones,<\/em> Old Jail Art Center, Albany, TX<\/p>\n

2017, If not an<\/em>\u00a0hongo\u00a0\/\/ Si no es un mushroom,<\/em> Yvonne, Guatemala City, Guatemala<\/p>\n

2017, The Stand (Possessing Powers),<\/em> Paul Mesaros Gallery at West Virginia University, Morgantown, WV<\/p>\n

2016, Salv.,<\/em> Artpace, San Antonio, TX<\/p>\n

2016, Stringer Lode<\/em>, She Works Flexible, Houston, TX<\/p>\n

2015, The Stand (Possessing Powers),\u00a0<\/em>University of Mary Washington, Fredericksburg, VA<\/p>\n

2014, The Stand (Possessing Powers),<\/em> Hudson River Museum, Yonkers, NY<\/p>\n

2014, The Stand (Possessing Powers),<\/em> Hirschl & Adler Modern, New York, NY<\/p>\n

2013, Thicket<\/em>, Institute for the Humanities, University of Michigan, Ann Arbor, MI<\/p>\n

2013, The Stand (Possessing Powers),<\/em> Vox Populi, Philadelphia, PA<\/p>\n

2013, The Stand (Possessing Powers),<\/em> Second Street Gallery, Charlottesville, VA<\/p>\n

2012, Strike,\u00a0<\/em>Site:LAB at Grand Rapids Public Museum, Grand Rapids, MI<\/p>\n

2011, Fruiting Bodies,<\/em> The Poor Farm, Waupaca County, WI<\/p>\n

2010, The Stand<\/em>, Lawndale Art Center, Houston, TX<\/p>\n

2008, Spark Gap<\/em>, Arlington Art Center, Arlington, VA<\/p>\n

2008, Spark Gap<\/em>, Terminal, Richmond, VA<\/p>\n

2007, At Stake and Rider<\/em>, Civilian Art Projects, Washington DC<\/p>\n

2007, At Stake and Rider<\/em>, Page Bond Gallery, Richmond, VA<\/p>\n

2006, PRE-Fabulous,\u00a0<\/em>Archinofsky Gallery, Las Vegas, NV<\/p>\n

2005, Magic Moments,\u00a0<\/em>The Soap Factory, Minneapolis, MN<\/p>\n

2003, Altered Perspectives<\/em>, Platteforum Arts, Denver, CO<\/p>\n

2001, Over-the-Road,\u00a0<\/em>CCAC\u00a0 North Gallery, Oakland, CA<\/p><\/blockquote>\n

[\/vc_column_text][vc_custom_heading heading_semantic=”h4″ text_size=”h4″ uncode_shortcode_id=”172804″]Selected Group Exhibitions[\/vc_custom_heading][vc_column_text text_color=”color-jevc” uncode_shortcode_id=”293239″ text_color_type=”uncode-palette”]<\/p>\n

2024, Incandescence: The Chandelier in Contemporary Art, Lehman College Art Gallery, New York, NY<\/p>\n

2024, Art at Work: Sanitation and Social Practice,<\/em> All Street Gallery Chinatown, New York, NY<\/span><\/p>\n

2024, Golden: 50th Anniversary exhibition,<\/em> MoCA Arlington, Arlington, VA<\/span><\/p>\n

2024, Makers in Place,<\/em> Kohler at Design Miami \/ Miami Art Week 2024, Miami, FL<\/span><\/p>\n

2024, The Arts\/Industry 50th Collective, Woodlake, Kohler, WI<\/span><\/p>\n

2021, Ocean Body<\/i>, Wasserman Projects, Detroit, MI<\/span><\/p>\n

2021, Our Secret Fire<\/i>, Hirschl & Adler Modern, New York, NY<\/span><\/p>\n

2021, Active-Intermission-Composite-Artifact (AICA)<\/i>, 1708 Gallery, Richmond, VA<\/span><\/p>\n

2019, walking with: Library of Radical Returns<\/em>, Visual Arts Center, Richmond, VA<\/span><\/p>\n

2018, Our Going On<\/em>, Moonmist, Houston, TX<\/span><\/p>\n

2018, Venus Occults Jupiter<\/em>, Love Apple Art Space, Ghent, NY<\/span><\/p>\n

2018, Vis-\u00e0-vis,<\/em> Hirschl & Adler Modern, New York, NY<\/span><\/p>\n

2018, The Dangerous Professors<\/em>, Flatlands Gallery, Houston, TX<\/span><\/p>\n

2017, Tensile Strength<\/em>, SITE Gallery Silos, Houston, TX<\/span><\/p>\n

2017, License to Deceive<\/em>, Hirschl & Adler Modern, New York, NY<\/span><\/p>\n

2014, Share This! Appropriation After Cynicism<\/em>, Denny Gallery, New York, NY<\/span><\/p>\n

2014, Arterial Motives<\/em>, Street Road Artists Space, Cochranville, PA<\/span><\/p>\n

2012, First Encounters,<\/em> Work Gallery, Ann Arbor, MI<\/span><\/p>\n

2011, Why Did the Chicken Cross the Road? Original Jokes About The Suburban and The Poor Farm by the Artists Who Have Exhibited There,<\/em> Yale University, School of Art<\/span><\/p>\n

2010, 2010 Core Exhibition<\/em>, Glassell School of Art, Houston, TX<\/span><\/p>\n

2010, Santo Foundation Exhibition<\/em>, Fort Gondo, St Louis, MO<\/span><\/p>\n

2009, Stone Sculpture Symposium<\/em>, Steinbruch Kiefer, F\u00fcrstenbrunn, Austria<\/span><\/p>\n

2009, \u2026<\/em>for lovers,\u00a0<\/em>Kim Foster Gallery, New York, NY<\/span><\/p>\n

2009, Absolutely Modern,\u00a0<\/em>Rudolph Projects, Houston, TX<\/span><\/p>\n

2009, 2009 Core Exhibition<\/em>, Glassell School of Art, Houston, TX<\/span><\/p>\n

2008, Blitzfunk<\/em>, Kompact Living Space, Berlin, Germany<\/span><\/p>\n

2008, Gray Area Stake Out<\/em>, Crane Building, Philadelphia, PA<\/span><\/p>\n

2008, FourPlay,\u00a0<\/em>AREA Gallery, Caguas, Puerto Rico<\/span><\/p>\n

2007, Company Picnic,\u00a0<\/em>Metro Space Gallery, Richmond, VA<\/span><\/p>\n

2007, The Commonwealth Bricoleurs,\u00a0<\/em>Off Grounds Gallery, Charlottesville, VA<\/span><\/p>\n

2007, Civilian @ G<\/em>, G Fine Art, Washington, DC<\/span><\/p>\n

2006, Dynamic Field,\u00a0<\/em>Civilian Art Projects, Washington, DC<\/span><\/p>\n

2006, Debate Team<\/em>, FAB Gallery at VCU, Richmond, VA<\/span><\/p>\n

2006, Space Domestic<\/em>, McLean Project for the Arts, McLean, VA<\/span><\/p>\n

2005, Medium<\/em>, Area 405, Baltimore, MD<\/span><\/p>\n

2005, Right of Way<\/em>, Archinofsky Gallery, Las Vegas, NV<\/span><\/p>\n

2003, The Out-of-Towners<\/em>, Transformer Gallery, Washington, DC<\/span><\/p>\n

2001, Freestyle<\/em>, Southern Exposure, San Francisco, CA<\/span><\/p>\n

2000, Fuzzy Logic,\u00a0<\/em>Southern Exposure, San Francisco, CA<\/span><\/p><\/blockquote>\n

[\/vc_column_text][vc_custom_heading heading_semantic=”h4″ text_size=”h4″ uncode_shortcode_id=”177150″]Residencies,\u00a0Honors & Awards[\/vc_custom_heading][vc_column_text text_lead=”yes” text_color=”color-jevc” uncode_shortcode_id=”601033″ text_color_type=”uncode-palette”]<\/p>\n

2023, Nancy Graves Grant for Visual Art, Nancy Graves Foundation, NY<\/span><\/p>\n

2023, Arts\/Industry Residency, John Michael Kohler Arts Center, Sheboygan, WI<\/span><\/p>\n

2022, Arts\/Industry Residency, John Michael Kohler Arts Center, Sheboygan, WI<\/span><\/p>\n

2021, MASS MoCA residency to produce work for Weep Holes<\/i>, North Adams, MA<\/span><\/p>\n

2021, VCUarts Dean\u2019s Faculty Research Grant, Virginia Commonwealth University, Richmond, VA<\/span><\/p>\n

2019, Arts Research Institute Fellowship, Virginia Commonwealth University, Richmond, VA<\/span><\/p>\n

2018, Virginia Museum of Fine Arts Fellowship, Richmond, VA<\/span><\/p>\n

2017, Dean\u2019s Faculty Research Grant, Virginia Commonwealth University, Richmond, VA<\/span><\/p>\n

2017, 100 W<\/a>, Corsicana, TX<\/span><\/p>\n

2017, Yvonne<\/a>, Guatemala City, Guatemala<\/span><\/p>\n

2016, Artpace\u00a0International Artist-in-Residence,<\/a> San Antonio, TX<\/span><\/p>\n

2016, RAIR Residency<\/a>, Philadelphia, PA<\/span><\/p>\n

2015, Houston Artadia Award, Artadia Fund for Art and Dialogue, New York, NY<\/span><\/p>\n

2015, Art Omi Residency (awarded, unable to attend)<\/span><\/p>\n

2013, Paula & Edwin Sidman Fellowship in the Arts, Institute for the Humanities, University of Michigan<\/span><\/p>\n

2013, Millay Colony Residency, Austerlitz, NY<\/span><\/p>\n

2012, Elsahara Art Residency, Dahab, Egypt (deferred)<\/span><\/p>\n

2012, Smithsonian Artist in Research Fellowship, Washington DC<\/span><\/p>\n

2012, Faculty Seed Grant, Institute for Research on Women and Gender, University of Michigan<\/span><\/p>\n

2011, MacDowell Colony Residency, Peterborough, NH<\/span><\/p>\n

2010-13, University of Michigan Society of Fellows, Ann Arbor, MI<\/span><\/p>\n

2010, The Long Prize, Museum of Fine Arts Houston, TX<\/span><\/p>\n

2009, Eliza Prize, Museum of Fine Arts Houston, TX<\/span><\/p>\n

2009, Milos Chlup\u00e1c Fellowship, Stone Sculpture Symposium, Salzburg International Summer Academy of Art<\/span><\/p>\n

2008-10, The Core Program Residency, Museum of Fine Arts Houston, TX<\/span><\/p>\n

2008, VCU Graduate Fellowship, Virginia Center for Creative Arts, Amherst, VA (awarded, unable to attend)<\/span><\/p>\n

2008, Kompact Living Space Residency, Berlin, Germany<\/span><\/p>\n

2008, AREA Gallery Residency, Caguas, Puerto Rico<\/span><\/p>\n

2006, Graduate Fellowship, Virginia Museum of Fine Arts, Richmond, VA<\/span><\/p>\n

2005, Vermont Studio Center Residency, Fellowship, Johnson, VT<\/span><\/p>\n

2003, PlatteForum Arts Residency, Denver, CO<\/span><\/p><\/blockquote>\n

[\/vc_column_text][vc_custom_heading heading_semantic=”h4″ text_size=”h4″ uncode_shortcode_id=”171235″]Articles and Reviews[\/vc_custom_heading][vc_column_text text_color=”color-jevc” uncode_shortcode_id=”949367″ text_color_type=”uncode-palette”]<\/p>\n

Ryan Waddoups, \u201c8 Standout Design Moments from Miami Art Week\u201d Galerie Magazine, December 11, 2024<\/p>\n

Travis Diehl, Yinka Elujoba, John Vincler, \u201cWhat to See in N.Y.C. Galleries in May\u201d The New York Times. May 2, 2024<\/p>\n

Maya Pontone, \u201cThe Artists Sifting Through Your City\u2019s Garbage\u201d Hyperallergic. May 30, 2024<\/p>\n

Murray Whyte,\u00a0Everything is scary \u2013 but don\u2019t let it break you<\/a> The Boston Globe, June 9, 2022<\/p>\n

Susan Richmond, Lily Cox-Richard,\u00a0Fieldwork: Lily Cox-Richard in Conversation with Susan Richmond<\/a>,\u00a0Feminist Studies<\/em>, 2021<\/p>\n

Karen Newton,\u00a0River Walks: An immersive and interactive show at Vis Arts explores walking by the James<\/a>\u00a0Style Weekly<\/i>. January 7, 2020.<\/p>\n

Andy Campbell,\u00a0Austin: Lily Cox-Richard, Blanton Museum of Art<\/em><\/a>, Artforum, December 2019<\/p>\n

Which Emerging Artist Dominated 2019?<\/em><\/a>, Artnet News, December 21, 2019<\/p>\n

Sean J Patrick Carney,\u00a0Lily Cox-Richard\u2019s Kaleidoscopic View on the Classical Cannon<\/em><\/a>, Arti in America, October 9, 2019<\/p>\n

Erin Keever,\u00a0Lily Cox-Richard: Re-casting the Blanton\u2019s Battle Casts<\/em><\/a>, Sight Lines Magazine, August 8, 2019<\/p>\n

Lydia Pyne,\u00a0Subverting the Whiteness of Antiquity,<\/em><\/a> Hyperallergic, September 2, 2019<\/p>\n

Candace Baker,\u00a0Examining Whiteness at the Blanton\u2019s Latest Exhibit<\/em><\/a>, Austin Monthly, August 1, 2019<\/p>\n

Molly Glentzer,\u00a0Lily Cox-Richard brings sculpture viewers to their knees<\/a>,<\/em> Houston Chronicle, October 22, 2018<\/p>\n

Laura August,\u00a0From the Ground Up: Lily Cox-Richard at Diverseworks<\/em><\/a>, Arts & Culture Texas, September, 2018<\/p>\n

Laura A.L. Wellen,\u00a0SHOW UP: Lily Cox-Richard<\/em><\/a>, Arts & Culture Texas, December 2016-January 2017<\/p>\n

\u201cAlex Potts in Conversation with Lily Cox-Richard: The Stand (Possessing Powers)<\/a>\u201d\u00a0Nineteenth-Century Art Worldwide, Summer 2016<\/em><\/p>\n

Kristina Olson,\u00a0\u201cRapt Attention: A Conversation with Lily Cox-Richard\u201d<\/a>\u00a0ARTPULSE,<\/em> Spring 2015<\/p>\n

Nicholas Hartigan and Joan Kee,\u00a0\u201cLily Cox-Richard: On the Powers of Taking a Stand\u201d<\/a>\u00a0Art Journal,<\/em> Winter 2013<\/p>\n

Molly Springfield, \u201cLily Cox-Richard\u201d\u00a0The Studio Visit<\/em>, 2011<\/p>\n

Kriston Capps, \u201cDynamic Field\u201d\u00a0The Washington City Paper,\u00a0<\/em>December 8, 2006<\/p>\n

Jessica Dawson, \u201cSpace Domestic in McLean\u201d\u00a0The Washington Post<\/em>, June 24, 2006<\/p>\n

Susan Sobeloff, \u201cMetal to the Middle\u201d\u00a0Trucker\u2019s News Magazine<\/em>, June 2002<\/p><\/blockquote>\n

[\/vc_column_text][vc_custom_heading heading_semantic=”h4″ text_size=”h4″ uncode_shortcode_id=”192110″]Publications[\/vc_custom_heading][vc_column_text text_color=”color-jevc” uncode_shortcode_id=”487446″ text_color_type=”uncode-palette”]<\/p>\n

Field Notes. Water Sprouts and Remains (an unfolding)<\/em> Fountain: Lily Cox-Richard; Illustrations: Rachal Duggan. An illustrated guide with a series of reflection prompts, published by John Michael Kohler Art Center, 2024<\/p>\n

Weep Holes<\/i><\/a> by Lily Cox-Richard, artist monograph with contributions from Denise Markonish, Patricia Kaishian, Billy Dufala, Christophe Theunissen, Sarah Margolis-Pineo, and Johanna Hedva, Mass MoCA, 2022<\/p>\n

Soft Fists Insist<\/i><\/a>, Hirschl & Adler, 2022<\/p>\n

Artpace at 25: 25th Anniversary Publication<\/em><\/a>, Artpace, 2020<\/p>\n

Raw Powers<\/em><\/a>, introduced by Karen Lemmey,\u00a0Archives of American Art Journal<\/em>, Spring 2018<\/p>\n

On Whose Back?\u00a0<\/a><\/em>Thoughts on Lily Cox-Richard\u2019s\u00a0<\/em>Stringer Lode<\/a>\u00a0at She Works Flexible<\/em>,<\/em> by Wendy Vogel, She Works Flexible Press, 2016<\/p>\n

Hammered Lead & Poems,<\/a>\u00a0<\/em>with Davy Knittle, BookMachine (Houston) onestar press, 2014<\/p>\n

\u201cPortfolio: The Stand (Possessing Powers)\u201d\u00a0Art Journal,<\/em>\u00a0Winter 2013<\/p>\n

Thicket<\/em>,<\/a>\u00a02013, self-published book<\/p>\n

\u201cLightning Wireless\u201d<\/a>\u00a0Curious<\/em>\u00a0Spring 2008, VCUarts Publication<\/p>\n

\u201cSouvenir\u201d\u00a0Curious<\/em> Spring 2007, VCUarts Publication<\/p><\/blockquote>\n

[\/vc_column_text][vc_custom_heading heading_semantic=”h4″ text_size=”h4″ uncode_shortcode_id=”100742″]Commissions and Special Projects[\/vc_custom_heading][vc_column_text text_color=”color-jevc” uncode_shortcode_id=”174001″ text_color_type=”uncode-palette”]<\/p>\n

2024, Water Sprouts and Remains (an unfolding), Sandy Sachse Gratitude Fountain at John Michael Kohler Art Center, Sheboygan, WI<\/p>\n

2022-23, Billboards in North Adams, MA<\/p><\/blockquote>\n

[\/vc_column_text][vc_custom_heading heading_semantic=”h4″ text_size=”h4″ uncode_shortcode_id=”415820″]Lectures, Visits, and Activities[\/vc_custom_heading][vc_column_text text_color=”color-jevc” uncode_shortcode_id=”159026″ text_color_type=”uncode-palette”]<\/p>\n

2024, Gallery Conversation: Lily Cox-Richard, Jade Doskow, Slinko, sTo Len, and Tom Finkelpearl, moderated by curator Gabriela D\u2019Addario. Closing event for Art at Work: Sanitation & Social Practice<\/em>, All Street Gallery Chinatown, NYC<\/p>\n

2024, Artist Talk, Arts\/Industry 50th Anniversary Event, John Michael Kohler Arts Center, Sheboygan, WI<\/p>\n

2023, Visiting Artist Program (VAP) Lecture Series and studio visits, Philadelphia Academy of Fine Arts (PAFA), Philadelphia, PA<\/p>\n

2022 \u201cAssuming Breakage\u201d workshop, Time of Now Festival MASS MoCA, North Adams, MA<\/p>\n

2021, Invited Contributor: 45 Library, a collection of speculations by artists, designers, and architects on the subject of the presidential library for the 45th president. 45library.com<\/p>\n

2020, Closing events: walking with, Artist-led public walks, meditation and activations, Visual Arts Center, Richmond, VA<\/p>\n

2019, Gallery talk with collaborator Michael Jevon Demps, Visual Arts Center, Richmond, VA<\/p>\n

2019, Gallery talk with Michael Jevon Demps, Enjoli Moon, and Kenny Rivero, Visual Arts Center, Richmond, VA<\/p>\n

2019, Artist Talk and conversation with Curator Claire Howard, Blanton Museum of Art, Austin, TX<\/p>\n

2019, Visiting Artist, MFA program, University of Texas at Austin<\/p>\n

2018, Thinking in Aggregate<\/em>, conversation with Cymene Howe, Rodger Moore, and Laura August, Diverseworks, Houston, TX
\n2018, Visiting Artist, Glass Department, Rhode Island School of Design, Providence, RI<\/p>\n

2018, Visiting Artist, Department of Visual and Dramatic Arts, Rice University, Houston, TX<\/p>\n

2016, Visiting Artist, School of Art & Design, Texas State University, San Marcos, TX<\/p>\n

2016, Reading and Conversation with Tung-Hui Hu, author of A Prehistory of the Cloud,\u00a0<\/em>She Works Flexible, Houston, TX<\/p>\n

2016, Gallery Conversation with Wendy Vogel, She Works Flexible, Houston, TX<\/p>\n

2016, Co-chair of the session Expanded Fieldwork: Art and Research-based Practice<\/em><\/p>\n

2016, College Art Association Conference, Washington, DC<\/p>\n

2016, Gallery talk with curator Karen Lemmey, on the exhibition Measured Perfection: Hiram Powers\u2019 Greek Slave,\u00a0<\/em>Smithsonian American Art Museum, Washington, DC<\/p>\n

2015, Visiting Artist, School of Visual Arts, Minnesota State University, Moorhead, MN<\/p>\n

2015, Lily Cox-Richard: Possessing Powers, <\/em>The Walters Museum of Art, Baltimore, MD<\/p>\n

2015, Visiting Artist, Department of Art and Art History, University of Texas at Austin, TX<\/p>\n

2014, The Stand: Possessing Powers<\/em>, presenter in the colloquium: The Greek Slave by Hiram Powers, Yale Center for British Art, New Haven, CT<\/p>\n

2014, Visiting Artist, Art + Design, University of Illinois at Urbana-Champaign, IL<\/p>\n

2014, Visiting Artist, Summer Studio Program, Virginia Commonwealth University, Richmond, VA<\/p>\n

2014, Lily Cox-Richard: Possessing Powers, <\/em>Hudson River Museum, Yonkers, NY<\/p>\n

2013, Thicket,\u00a0<\/em>Panel Discussion with Lane Relyea, Jamie Jones, and Clare Croft, Institute for the Humanities, University of Michigan, Ann Arbor, MI<\/p>\n

2013, Gallery Conversation with art historian Alex Potts, Institute for the Humanities, University of Michigan, Ann Arbor, MI<\/p>\n

2013, Possessing Powers: Studio Premonitions and the Time Travel of Things,\u00a0<\/em>presenter on the session\u00a0(Re)imagining<\/em>\u00a0the Unknown: Contemporary<\/em><\/p>\n

2013, Perspectives on Expansion, Invention, and Representation in the 19th Century,\u00a0<\/em>Southeastern College Art Conference, Greensboro, NC<\/p>\n

2013, The Stand: Possessing Powers<\/em>, presenter on the session\u00a0Sexing Sculpture,\u00a0<\/em>College Art Association Conference, New York, NY<\/p>\n

2013, Guest Critic, final critiques, Sculpture, School of Art, University of Houston, Houston, TX<\/p>\n

2012, This Nameless Spectacle<\/em>, Panel Discussion with Y. David Chung and Osman Khan, University of Michigan Museum of Art, Ann Arbor, MI<\/p>\n

2012, Artist Talk, Washington Project for the Arts, Washington DC<\/p>\n

2011, Lecture, Art & Design Perspectives series, Penny W Stamps School of Art & Design, University of Michigan, Ann Arbor, MI<\/p>\n

2011, Visiting Artist, Thesis Exhibition Critiques, Print Media Department, Cranbrook Academy of Art, Bloomfield Hills, MI<\/p>\n

2010, Gallery Conversation with Museum of Fine Arts Houston Curator Emily Neff, Lawndale Art Center, Houston, TX<\/p>\n

2010, Visiting Artist\/Guest Critic, Sculpture, School of Art, University of Houston, Houston, TX<\/p>\n

2010, Visiting Artist, Guest Reviewer for MFA Thesis exhibitions, Sam Fox School of Design & Visual Arts, Washington University, St Louis, MO<\/p>\n

2010, Visiting Artist\/Lecture, Art Department, American University, Washington, DC<\/p>\n

2009, Artist Talk, Stone Sculpture Symposium, Salzburg International Summer Academy of Art, Salzburg, Austria<\/p>\n

2009, Visiting Artist\/Guest Critic, School of Art, University of Houston, Houston, TX<\/p>\n

2009, Visiting Artist\/Lecture, Visual and Dramatic Arts Department, Rice University, Houston, TX<\/p><\/blockquote>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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